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He has a deep passion for music which is infectious and shows in everything he does. I can wholeheartedly recommended James to teach the guitar from absolute beginners to advanced level.

Louise Dixon James is a fantastic guitar teacher here in London. His friendly guitar lessons helped me to learn guitar with speed and confidence through the songs that I love. I have been a student at the London Guitar Academy for two years now, and right from the start I was astonished by how effective the teaching is and how super friendly the staff are there.

Everyone who works there are great people, and they have all been a great influence on me over the years. My experience there has been outstanding, and I would absolutely recommend it to a guitarist of any ability.

The concerts that the London Guitar Academy puts on at the end of each year can not be beaten, with the huge amount of effort that the teachers put in to make it a great experience for everyone. It is always great to have the freedom of choosing what you want to learn, and the having the flexibility of lesson times that allows you to reschedule at any time.

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Lavazza Burlington James is the greatest. He's not only a phenomenal guitarist but also a phenomenal human being. He an expert on both theory and mainstream, and can play a wide variety of styles and genres.

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It's uncommon that someone so skilled can also teach so well. Jackie Sugar We love London Guitar Academy! The concerts have been very fun to attend, to see all the kids have a moment in the spotlight! The instructors are interested in the kids and flexible so the kids can also participate in their other sports activities. All the LGA tutors are extremely knowledgeable and always pay attention to detail and he makes it easy for my child to understand.

Highly recommend. Lorenza Reed Fantastic Guitar Academy! James has been teaching my husband guitar for the last 3 years. James 's enthusiasm and ability to relate to my son about all of his interests not just guitar ensured his motivation to learn never wavered. Over the years I've seen my husband develop his guitar skills and his confidence thanks to James's teaching and most important of all, he has made learning fun!

He takes the time and trouble to find tabs for favourite songs and this keeps their interest going alongside the technique based lessons. The fingerboard , also called the fretboard, is a piece of wood embedded with metal frets that comprises the top of the neck.

It is flat on classical guitars and slightly curved crosswise on acoustic and electric guitars. The curvature of the fretboard is measured by the fretboard radius, which is the radius of a hypothetical circle of which the fretboard's surface constitutes a segment. The smaller the fretboard radius, the more noticeably curved the fretboard is.

Most modern guitars feature a 12" neck radius, while older guitars from the s and s usually feature a " neck radius. Pinching a string against a fret on fretboard effectively shortens the vibrating length of the string, producing a higher pitch.

Fretboards are most commonly made of rosewood , ebony , maple , and sometimes manufactured using composite materials such as HPL or resin. See the section "Neck" below for the importance of the length of the fretboard in connection to other dimensions of the guitar.

The fingerboard plays an essential role in the treble tone for acoustic guitars. The quality of vibration of the fingerboard is the principal characteristic for generating the best treble tone. For that reason, ebony wood is better, but because of high use, ebony has become rare and extremely expensive.

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Most guitar manufacturers have adopted rosewood instead of ebony. The exceptions include fretless bass guitars and very rare fretless guitars.

Pressing a string against a fret determines the strings' vibrating length and therefore its resultant pitch. The pitch of each consecutive fret is defined at a half-step interval on the chromatic scale.

Standard classical guitars have 19 frets and electric guitars between 21 and 24 frets, although guitars have been made with as many as 27 frets.

Frets are laid out to accomplish an equal tempered division of the octave. Each set of twelve frets represents an octave. The twelfth fret divides the scale length exactly into two halves, and the 24th fret position divides one of those halves in half again. In practice, luthiers determine fret positions using the constant Among these are "jumbo" frets, which have much thicker gauge, allowing for use of a slight vibrato technique from pushing the string down harder and softer.

Fine frets, much flatter, allow a very low string-action , but require that other conditions, such as curvature of the neck, be well-maintained to prevent buzz. Truss rod The truss rod is a thin, strong metal rod that runs along the inside of the neck.

It is used to correct changes to the neck's curvature caused by aging of the neck timbers, changes in humidity, or to compensate for changes in the tension of strings.

The tension of the rod and neck assembly is adjusted by a hex nut or an allen-key bolt on the rod, usually located either at the headstock, sometimes under a cover, or just inside the body of the guitar underneath the fretboard and accessible through the sound hole.

Some truss rods can only be accessed by removing the neck. The truss rod counteracts the immense amount of tension the strings place on the neck, bringing the neck back to a straighter position.

Turning the truss rod clockwise tightens it, counteracting the tension of the strings and straightening the neck or creating a backward bow. Turning the truss rod counter-clockwise loosens it, allowing string tension to act on the neck and creating a forward bow. Adjusting the truss rod affects the intonation of a guitar as well as the height of the strings from the fingerboard, called the action.

Some truss rod systems, called double action truss systems, tighten both ways, pushing the neck both forward and backward standard truss rods can only release to a point beyond which the neck is no longer compressed and pulled backward.

The artist and luthier Irving Sloane pointed out, in his book Steel-String Guitar Construction, that truss rods are intended primarily to remedy concave bowing of the neck, but cannot correct a neck with "back bow" or one that has become twisted.

However, their necks are often reinforced with a strip of harder wood, such as an ebony strip that runs down the back of a cedar neck. There is no tension adjustment on this form of reinforcement. Inlays Inlays are visual elements set into the exterior surface of a guitar, both for decoration and artistic purposes and, in the case of the markings on the 3rd, 5th, 7th and 12th fret and in higher octaves , to provide guidance to the performer about the location of frets on the instrument.

The typical locations for inlay are on the fretboard, headstock, and on acoustic guitars around the soundhole, known as the rosette. Inlays range from simple plastic dots on the fretboard to intricate works of art covering the entire exterior surface of a guitar front and back.

Some guitar players have used LEDs in the fretboard to produce unique lighting effects onstage. Fretboard inlays are most commonly shaped like dots, diamond shapes, parallelograms, or large blocks in between the frets. Dots are usually inlaid into the upper edge of the fretboard in the same positions, small enough to be visible only to the player. These usually appear on the odd numbered frets, but also on the 12th fret the one octave mark instead of the 11th and 13th frets.

Some older or high-end instruments have inlays made of mother of pearl, abalone, ivory, colored wood or other exotic materials and designs. Simpler inlays are often made of plastic or painted.

High-end classical guitars seldom have fretboard inlays as a well-trained player is expected to know his or her way around the instrument. In addition to fretboard inlay, the headstock and soundhole surround are also frequently inlaid. The manufacturer's logo or a small design is often inlaid into the headstock. Rosette designs vary from simple concentric circles to delicate fretwork mimicking the historic rosette of lutes.

Bindings that edge the finger and sound boards are sometimes inlaid. Some instruments have a filler strip running down the length and behind the neck, used for strength or to fill the cavity through which the truss rod was installed in the neck.

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Body See also: Vibrato systems for guitar In the guitar, the sound box is the hollowed wooden structure that constitutes the body of the instrument. Catch the Wind Donovan 5.

Clementine 6. Sweet Home Alabama Lynyrd Skynyrd 7. Lightly Row 9. Time of Your Life Green Day Twinkle, Twinkle Little Star Heart of Gold Neil Young Old MacDonald Story of My Life Social Distortion Louie, Louie The Kingsmen G - Blog 0. Other alternative materials to wood are used in guitar body construction.

Guitar Son. Some older or high-end instruments have inlays made of mother of pearl, abalone, ivory, colored wood or other exotic materials and designs.

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